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JPL Redesign

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Web Design · Front End · 2026

Jesse Parris-Lamb — Website Redesign (Unofficial)

I recently moved to Brooklyn and started spending a few hours a day at the library near Prospect Park. On my first walk there I passed this storefront that looked different from the rest — turned out to be Jesse Parris-Lamb, a Brooklyn interior design firm from 2014 who do really cool work. I checked out their site and thought “I can probably do better” (humbly, of course)… so here we are.

I wanted to capture the essence of JPL: a lot of expression, but a lot of restraint. They add tons of character and flair, but it stays familiar and never overdone — tough to nail. The site follows the same principles: charming and familiar at face value, but unique and intentional. Everything has to have a purpose.

The home page gets straight to the point — into the world of Jesse Parris-Lamb the moment you land. It's a nice bit of user guidance too; hard to put into words, but I don't feel overwhelmed here. I have everything I'd want.

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The interior gallery was all restraint. Something bold or “experience”-heavy didn't fit the vibe. A few nice touches went a long way — a subtle parallax scroll and some hover life on the thumbnails.

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Each space gallery was built off reference images I generated for inspiration. I like how the large, off-center images command attention, yet the write-up to the left has the same pull — a fun use of spacing. The film strip at the bottom is a nice touch too; the page felt incomplete and cheap without it.

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The about page is unironically my favorite of the project. I kept trying to turn it into a whole experience and it never felt right. JPL's original about page is simple and plain, but that's why it's good — the rest of the site is the experience for their work; the about page shouldn't compete. I want the story, quickly and all at once.

I pulled from a reference that used full-bleed images and color contrast really well. The other pages were pretty uniform, so this one was fair game for a slight departure. It feels special, but still not overdone.

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And here's the original (current) site. It's fine, but it doesn't feel special. To me it didn't reflect the level of work Jesse Parris-Lamb does.

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